![]() In stark contrast to the white ideal promoted by the fair, the accompanying Joy Zone featured various racist "entertainments" that served as examples of "race degeneracy." As scholars, we must be mindful of such modern abuses of the classical past, in order that they not be perpetuated. Kellogg's ideas were further illustrated by a morality play in which two hundred students from the University of California at Berkeley dressed in ancient costumes. Kellogg, proclaimed that the movement promised a new "golden age" in which an "aristocracy of Apollos and Venuses" would be achieved by means of science. In speeches at the Exposition, the founder of the Race Betterment Foundation, John H. Within this context, the popular Race Betterment booth displayed casts of the Venus de Milo, Apollo Belvedere and the Farnese Atlas as models of racial perfection. The fair itself utilized classicizing monuments to create a utopian vision of a modern Arcadia for the relatively young state of California, at a time when San Francisco was rebuilding from the devastating 1906 earthquake and ire. ![]() This paper analyses the use of Classical and classicizing sculpture to illustrate the aims of the Race Betterment Foundation at the Panama-Paciic International Exposition held in San Francisco in 1915. ![]() Although the inluence of Classical sculpture on Nazi monuments is well established, the use of classicizing imagery to promote the American eugenics movement is relatively unexplored. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |